Red-evoked agitations

The piece was born from the digital intervention of family films founded on the internet. The work consists in reinterpreting and appropriating these images; seeking their connection with the personal photographic memory, as well as manipulating them in search of their deconstruction. I am interested in thinking them as anxious images, as if they were part of a disordered movement, in the same way as the particles of a substance in constant alteration. It proposes to ponder on the perception of the images in memory and its random form to manifest in the unconscious, conceiving them as an amorphous red dough in permanent reorganization and conflict.