Delirium

This work remediates two dances by Alice Guy-Blaché—Danse Serpentine (1897) and Danse Excentrique (1902)—through contemporary audiovisual technologies. It transforms historical cinematic forms to reflect on cycles of energy and the human experience. Honoring Guy-Blaché’s overlooked legacy, the piece highlights the struggle for recognition and breathes new life into early cinema, merging past and present in a dynamic media dialogue.