Pablo-Martín Córdoba

After a first autodidact artistic experience followed by studies in Art History and Contemporary Art and Photography, Pablo-Martín Córdoba structures his work around the notions of temporality and movement. Both the latent movement in the still image and the stillness constructed from motion define a homogeneous domain where the digital image becomes a plastic material. The expansion of the spatiotemporal domain is doubled of a medial questioning which implies a free exploration of digital technologies, its possibilities and its limits.